University of Stirling

The Future of Indie Bookshops

November 30th, 2014 by Helen Griffin | Posted in Blog | Comments Off on The Future of Indie Bookshops
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On Wednesday 19th November, in the Central Library in Edinburgh, SYP Scotland held a seminar discussing the future of Indie Bookshops. The panelists included representatives from four Independent Bookshops in Edinburgh: Gillian Robertson from Looking Glass Books, Elaine Henry from Word Power Books, Ian Macbeth from Golden Hare Books and Marie Moser from The Edinburgh Bookshop. Each representative spoke about what was next for them, what had changed over the last few years and what changes were still to come as independent booksellers adapt their business models in a bid to hold on to their share of the book market. The event was chaired by Peggy Hughes, Programme Director of the Dundee Literary Festival, Co-ordinator of the Dundee International Book Prize, and sundry other projects and publications at Literary Dundee. Peggy was also one of the judges for the Scottish Mortgage Investment Trust Book Awards 2013 and a Trustee for Reel Arts. By night, Peggy is also the Programme Director of the West Port Book Festival and one third of Electric Bookshop.

 

 

 

The Independent Booksellers:

Looking Glass Books

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Looking Glass Books is a bookshop and café that was set up in Edinburgh’s Quartermile in 2012. Gillian Robertson explained that the bookshop was opened when the industry was already where it is now, and so they haven’t had to do a lot of adapting. Their strategies have been more focused on who they are, where they might go and how they might place themselves within the industry.

 

 

 

 

 

Word Power Books

Word Power Books

It has been 20 years since Elaine Henry cut the red ribbon to Word Power Books in West Nicolson Street. Even after their 20 year success, Elaine said that there are still people who come into the store and ask how long they have been open for. Sometimes thinking, ‘what are we doing wrong that people still don’t know our existence’, Elaine believes this to be one of the major challenges of being an independent bookseller. Independent bookshops are not one homogenous group, and Word Power Books is what Elaine would call a radical bookshop dedicated to supporting small presses and independent presses (although they would get anything in for their customers). Word Power Books also publish, having done 22 titles. Their latest book, The Liberty Tree, about the Scottish radical Thomas Muir, was a leading review in the Sunday Times. Elaine commented that this feat meant they had finally been given some recognition for what they do after 20 years in the business.

 

Golden Hare Books

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Golden Hare Books opened 3 years ago and is based in St. Stephen Street, Stockbridge. Ian Macbeth described the shop as having a curated feel, like many independent bookshops, distinguishing itself from larger chains.

 

 

 

 

 

 

 

The Edinburgh Bookshop

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The Edinburgh Bookshop, nestled at Holy Corner in Bruntsfield, was opened 7 years ago and bought by Marie Moser just 2 years ago. Since then Marie has benefited from a double turnover and successes such as winning the UK Children’s Bookseller 2014 and being named Scottish Independent Bookshop 2014. Discussing the obvious successes of her predecessor, Marie nonetheless talked about the importance of accepting what you are and what works for your customers rather than what you want to be or feel you should be. When Fifty Shades of Grey came out it was 15% of the book market, and although, as Marie acknowledged, ‘ it might be considered by some people to be a rubbish piece of writing, it was the biggest thing since Harry Potter’. Marie’s predecessor would not stock the book, telling people they would need to go across the road to Tesco. Marie’s position on this kind of mentality was simple: ‘As a small independent retailer you have to get off your high horse’.

Existing Relationships with Digital

When discussing independent bookshops’ relationship with digital, Marie challenged that as yet the world might be 50% digital but not everything in the world is digital. In Britain we buy physically half a million books a day, not E-books, physical books! That might be massively down on 20 years ago, but according to Marie, if you found any businessman who was setting up a business and you said to him you could sell him half a million units a day, could he honestly think that wasn’t one cracking business? In relation to social media, however,  Marie questioned the practical uses of Twitter. Although a tweeter herself, since Marie has come into the industry, her opinion has become more inclined to regard it as a platform for the way the industry talks to itself.

Continuing with this discussion, Peggy Hughes humorously compared being good at Twitter as like ‘being good at the egg and spoon’. Ian Macbeth also likened twitter to playing ‘Guitar Hero’, with links to articles and people’s opinions coming at you all the time, just like the coloured blocks in the game. Ian also felt that it was a platform where it was difficult to make your voice heard. Although he does tweet about events and interesting books that have come into his store, Ian believes that interpersonal links are far more important, with tools such as a mailing list being a much better way to keep in touch with your customers. Although many people do love a mailing list, in today’s digital age it may be seen as archaic. Overall, Ian felt that Facebook had less impact than Twitter but that mailing lists and store websites were much more significant tools for promotional activity from the standpoint of an independent bookseller.

In a rather different digital era, Elaine Henry first used microfiche to look up books. From stock-card indexing to today’s methods, Elaine has definitely seen first hand the rising demand for instant response. In terms of twitter Elaine said, ‘I don’t tweet because I just don’t have the time. This thing that you should be sending out three tweets a day, I just find it a challenge’. However, when informed by Peggy that she had been tweeted by Russell Brand, an astonished Elaine relented to find a positive outcome to the social media platform, laughing, ‘I guess sometimes Twitter can work to your advantage’.

Gillian Robertson also commented that she tweeted regularly, but was quick to point out that you can’t have blanket rules for every bookstore. Gillian did agree with Marie’s opinion that Twitter was a way in which the industry spoke to itself, but pointed out that it depends on whom you follow. Gillian follows local independent businesses and Edinburgh locals, which she believes, has been crucial to her success. ‘I don’t know if we would have been able to get off the ground without social media’.

Indie Bookshop VS. Amazon

Marie Moser was of the opinion that businesses could not be future proofed, claiming that in today’s day and age, ‘there is no room to be mediocre, if you are not interested and engaged you are not going to make money’. Marie’s basic view of digital was that it was a society and that Amazon was at the pinnacle of it.

Ian was quick to point out that it’s not just Amazon, it’s supermarkets, Waterstones, etc. Independent booksellers cannot match the discounts of these large retailers, and even if  they could, they wouldn’t want to. Ian’s theory is that if you can’t offer the same discounts you have to offer people something else. Amazon can never provide the same experience as bricks and mortar bookshops as they are selling on experience and Amazon is selling on instant gratification.

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Within Word Power Books they have leaflets exhibiting quotes such as ‘think before you click’ and ‘discounts don’t come for free’. Marie’s agreement with these slogans prompted her to challenge the role of the publisher, arguing that there is a danger the industry is losing sight of volume and bestsellers versus actually making profit, therefore illustrating the idea that any fool can sell something cheap. Marie commented  that when you let big chains heavily discount your lead title you devalue that brand and you devalue the years of work that the writer undertook to make the product. The fact that publishers should value what they sell was most evidently what offended Marie the most.

Marie also argued that publishers, as an industry, are letting retailers hammer down prices. If you were to ask the public if they wanted to buy products as cheap as they could, it is inevitable that they would say yes. The reality, according to Marie, is that this is not true or we wouldn’t have luxury brands; ‘We will buy what we think is a fair price for something nice’.

The seminar ended on the positive note that since 2009 there has been a resurgence of independent bookshops. According to all four of the independent booksellers, what we need to do is look at what is driving this; it may be a small movement, but it can have a big impact. Overall, for independent bookshops world domination is not on their agenda, however, they do not just want to survive, because that’s a low bar; they want to thrive, and as far as the seminar proved, Amazon is not going to stop them.

Callum Walker, MLitt in Publishing Studies 2014-2015

November 30th, 2014 by Callum Mitchell Walker | Posted in Student Profiles | Comments Off on Callum Walker, MLitt in Publishing Studies 2014-2015
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Hello! I’m Callum. I’d like to say that I’m from a far away place like several of my classmates… But I’m from Falkirk! I studied my undergraduate degree in English Studies and History here at Stirling University and the MLitt in Publishing Studies course made it impossible to resist one more year. As graduate life grew closer I began to realise that I wanted to enjoy a career in which I could combine my passion for literature and my interest in the business and communication between a product and people. The ever-changing world of publishing and the course at Stirling seemed like a perfect fit for me.

I had some experience in the publishing industry before the course when I interned at Gay Times Magazine in London last summer. This experience helped me to realise that I have a great desire to be a part of the process of creating a product that can affect, inspire and ultimately change people’s lives. Alongside my studies, I’ll also be interning at Edinburgh-based children’s and non-fiction independent publisher Floris Books next semester.

It is clear from our first few classes that we will be learning about the many different processes, job roles and sectors of the publishing business which I think will benefit me as I am not entirely sure where I want to end up yet in my future career. Whether I end up working in editorial, marketing or production… I can’t wait to find out!

Follow me on LinkedIn and Twitter.

Guest Speaker: Lindsey Fraser

November 19th, 2014 by Leia Forster | Posted in Blog | Comments Off on Guest Speaker: Lindsey Fraser
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On the 13th of November, Lindsey Fraser of Fraser Ross Associates visited us here at Stirling to give a talk on the role of the literary agent.

Lindsey began by reminiscing of a time when book publishing was simpler. Books had one price; that which was displayed on the book jacket, and books were limited to paperback and hardback formats.

As the publishing industry adapted to reflect changes in the digital landscape, it became apparent that authors needed representatives who had their best interests at heart and would help them to manoeuvre the unfamiliar realm of publishing.

Having spent ten years working for the Scottish Book Trust, Lindsey and colleague Kathryn Ross had established that there was a need amongst Scottish authors for agent representation, and so they left the Scottish Book Trust in order to create Fraser Ross Associates. They are now part of the small literary agent community which forms The Association of Scottish Literary Agents.

When speaking specifically about the role of the agent, Lindsey said that she considers literary agents to be responsible for finding the best possible homes for books. She also expressed that a major part of the role is giving your writers confidence, and that it is important to remember that agents are sometimes the only contact that writers have with the world of publishing. Trust is essential in this relationship.

Lindsey went on to highlight that the agent is on the side of the author, and ultimately it is their aim to help the author make money from their writing. The agent also encourages the writer to respect publisher deadlines and teaches them how to deal with promotional events as well as showing them how to make the most of opportunities that are presented to them.

Talking more about the encouragement that should be offered to authors, Lindsey noted that they are particularly vulnerable after having their first book published and are beginning to consider the next. It is important to help them through this period of insecurity. She commented that authors have a tendency to look at what was not right with their book and need to be reminded of what was good. She also said that sometimes after having a book published, authors would like to have a period of rest, but there is an important issue here regarding the children’s book industry. Children grow up quickly, and their interest in certain books changes. If you are publishing a children’s series, you need to ensure that the books are published before your readership outgrows them. Sometimes it is necessary for an author to produce a number of books in quick succession, especially if their books are doing well.                                                                                                                              scottish bt

Nearing the end of the talk, we were informed of The Scottish Book Trust’s live literature scheme which provides funding for author visiting sessions at schools in Scotland. They pay half of the author’s fee as well as traveling expenses which allows more schools to benefit from visiting sessions while authors also get to promote their books and interact with their readers on a more personal level.

Lindsey’s talk offered wonderful insight into the role of an agent in the publishing industry. She shared with us her refreshingly honest thoughts and opinions regarding some issues within the industry, and I particularly liked her comparison of the Bologna Children’s Book Fair to speed dating which highlighted once more the importance of networking in this industry.

Visiting Speaker: Dr Simon Frost, Bournemouth University

November 14th, 2014 by Sarah Boyd | Posted in Blog | Comments Off on Visiting Speaker: Dr Simon Frost, Bournemouth University
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Simon FrostAs an extra addition to the Visiting Speaker series, Dr Simon Frost, Senior Lecturer in English at Bournemouth University, came to talk to us about his current research project. Entitled ‘Private Gains and Retailed Literature: Pathways to a Sustainable-Economic Account of Reading‘ (though Frost pointed out that his subtitle keeps changing!), this ambitious project is being undertaken in association with John Smith’s, the higher-education bookseller familiar to most students for their on-campus shops.
It’s probably worth mentioning at this point that Dr Frost’s project is quite a complex and, in some ways, esoteric one and that it is very much ongoing and developing, so at times it became a little difficult to take on all of the information he was conveying. The seven-and-a-half pages of notes I took during his presentation are testament to this! However, I’ll do my best to cover what he had to say.
First, Dr Frost outlined the aim of his project, to produce a defence of literature (the project is focused on fiction) in economic terms, rather than the cultural terms in which arguments for literature’s value are usually expressed. This was one of the trickier ideas to get our heads around but Frost put it in layman’s terms, saying that he’s trying to find out why a customer would choose to buy books, rather than booze! Essentially, his belief is that pointing to literature’s cultural importance does not mount a strong enough defence for the funding and resources allocated to it and that we require a discussion that engages with the economics of literature in sustainable terms or, in other words, attempts to discover what readers gain from the books they buy in more practical terms.
We then looked at the structure of Frost’s project, which is organised into three ‘threads’:
  • ‘theorisation’ – produce a model of how readers gain from books, bridging the literary and economic by investigating the idea that books meet intangible needs for readers.
  • ‘tuition’ – a number of students will be involved in the research for this project, particularly in compiling the results of an extensive survey, aiming for 750 completed surveys.
  • ‘professional practice’ – working in conjunction with John Smith’s, examine the shift from ‘bookseller’ to ‘book-based supplier of solutions’, in particular the move to provide new services based on outcomes/gains.

John Smith's BooksIn order to explain how he became involved with John Smith’s, Dr Frost gave us a potted pre-history of the current bookselling situation in Britain. John Smith’s has been around since 1751, so it has survived and responded to the major changes that have happened in the bookselling industry over the last several centuries, from the 1899 establishment of the Net Book Agreement (NBA) and its encouragement of dedicated bookstores, to the collapse of the Agreement in the 1990s which led to the downfall of almost all chain booksellers on the British High Street. More recently, the rise of online bookstores (themselves largely a result of the NBA’s collapse) has forced John Smith’s to rethink its business, as Amazon and its ilk have disrupted the traditional tutor-student-campus bookstore relationship. Their response has been to stop thinking of themselves as ‘booksellers’ at all and instead re-brand as a provider of solutions for students and Higher Education (HE) institutions. Indeed, their website is tagged as ‘John Smith’s Student Store’, with no reference to bookshops at all.

In effect, this has resulted in John Smith’s working with HE institutions to provide students with all the resources they need to successfully enter, negotiate and exit higher education. Their Stirling store, for instance, lists 15 departments, providing products from art supplies to bikes, mobile phones to university-branded clothing. They are no longer thinking about how they can sell the most books to students but about how they can meet all the needs that students might have, how they can become the main provider of solutions to students’ demands and problems (as well as aiding HE institutions to meet their outcomes). In this way, their rethinking of their business model fits neatly with Dr Frost’s project, as it relocates books as one part of a service that anticipates and provides everything that students will gain from appropriating. So, a copy of ‘Mrs Dalloway’ is no longer just a tool for education and cultural influence but also a product that can be analysed and quantified in economic terms.

aspireFor the final part of his presentation, Dr Frost went into more detail about how the relationship between students, their HE institutions and this new incarnation of John Smith’s works. An essential part of this is the distribution of bursaries to students in England (introduced as a mitigating response to the raising of tuition fees). Universities receive a sum of money from the government and parcel this out to selected students in bursaries, often around £300, which are intended to widen opportunities for students from low-income backgrounds (and, ideally, to be spent on university-related goods and services, rather than down the pub, though we did have a discussion of whether or not the social environment provided by pubs – and cafes, equally expensive though perhaps less stigmatised – is a valuable part of the university experience!). John Smith’s have become involved in this process via their ‘Aspire‘ smartcard, which can be pre-loaded with the bursary money and limits what it can be spent on. This allows for a number of interesting features, from each card being tailored to its recipient’s needs, to facilitating data gathering and feedback to the institution. Of course, as several members of the class pointed out, this has some moral and legal implications, particularly with regards to privacy (the idea of tutors being able to keep tabs on whether you’ve purchased their reading list or not is more than a little Big Brother!) and this is an area that Dr Frost will be looking into as his study develops. At the moment, though, his main questions in this area are:

  1. Is the diversity of purchasing agency (i.e. those involved in the process of purchasing) now so great that it produces a break from the linear rational-choice model of purchasing?
  2. Do the limits imposed by the ‘Aspire’ model constitute an interruption of free will or free exchange? They limit the convertibility of one resource to another (the bursary can be turned into books or bikes but not beers) but do they also limit free choice? Such limits are common in the public world but how do they function in the semi-commercial and commercial spheres?
It was fascinating to hear about a project still in progress, with Dr Frost acknowledging that he is still in the process of gathering information and developing the theories and concepts that will form his ultimate conclusions. His observation that his ‘inner critic’ was working even as he spoke was one that I – and I’m sure most of us – identified with, but it’s reassuring to know that the pros suffer too. It was also great to feel that he was genuinely interested in our responses and in engaging in conversation with his audience – it’s always encouraging to feel that we’re being taken seriously by people already working! I’ll be interested to see the results of his project and how it shifts and develops as it progresses.

Courtney Murphy, MLitt in Publishing Studies 2014-2015

November 14th, 2014 by Courtney Murphy | Posted in Student Profiles | Comments Off on Courtney Murphy, MLitt in Publishing Studies 2014-2015
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cemI am a self-confessed librocubicularist  (n., a person who reads in bed), I am guilty of tsundoka (n. buying books and not reading them; letting books pile up unread on shelves or floors or nightstands), and I take bookshelf organization very seriously (for inspiration check out bookshelfporn.com).

I am a dual US-Canadian citizen and I’ve spent most of my life in Virginia and Ontario. I hold a BA (Hons.) in Psychology and Philosophy from Queen’s University at Kingston and an MLitt in Philosophy from the University of Glasgow. After completing my studies in Glasgow I returned to Virginia where I taught Philosophy at Bryant and Stratton College in Hampton, VA and Old Dominion University in Norfolk, VA. After a few years of lecturing I decided to leave academia and pursue a career in publishing. I leapt and the opportunity to return to Scotland and pursue the MLitt in Publishing here at Stirling. It’s interesting to learn about the process whereby a book goes from a manuscript to a novel on the shelf at Waterstone’s, and it’s great to be surrounded by like-minded people who share the same passion for books and reading.

Find me on LinkedIn and Twitter.

Helen Griffin, MLitt in Publishing Studies 2014-2015

October 28th, 2014 by Helen Griffin | Posted in Student Profiles | Comments Off on Helen Griffin, MLitt in Publishing Studies 2014-2015
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10441162_771707296214516_7616619309896870457_nMy name is Helen Griffin and I am a returning graduate to the University of Stirling, where I recently completed my undergraduate degree in English and Journalism Studies.

Having spent most of my academic career writing and editing from a journalistic point of view, I became very interested in the other side of the market. Unlike the fast-paced, rigid functionality of the journalism process; where I was trained to gather, organise and circulate information in a very short space of time, I became more drawn to a less clinical production of material, thus prompting my decision to pursue an MLitt in Publishing Studies.

I have always been an avid lover of books, particularly fiction and travel literature, and would love to be an active part of the processes involved in the development of these types of publications. With no prior experience in publishing, I am looking forward to the new challenges that this course will bring and the equally passionate people that I will meet along the way.

Sarah Boyd MLitt in Publishing Studies 2013-15

October 8th, 2014 by Sarah Boyd | Posted in Student Profiles | Comments Off on Sarah Boyd MLitt in Publishing Studies 2013-15
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Profile 3I love books. But then, everyone who does this course says that, so let’s get a little more detailed. I’ve been a student of literature, with an MA in English Literature and an MLitt in Shakespeare Studies, both from theUniversity of St Andrews. I’ve also been a writer, with a Diploma in Creative Writing from the Open University. Can you sense a theme yet? I don’t just love books, and writing, I love studying books and writing! From both of these experiences, two things became obvious: 1) I get mad at any use of the phrase ‘very unique’ and 2) I am good at analysing texts and helping writers to recognise their strengths and weaknesses. So, having tried my hand at being a scholar and being a writer, I came to the decision that I could be a good and useful publisher and promptly applied to this course to learn how.

I’ve been part-time at the Centre for a year now, so I’ve completed around half of the course and so far I think coming here is one of the best decisions I’ve ever made. I’ve learned fascinating things about the publishing industry, I’ve met and listened to interesting, passionate publishers and I’ve managed to get some work experience, as a reader for Sandstone Press and for the most recent issue of One Throne Magazine, a new literary magazine. I’m also now assisting in developing a house style sheet for Sandstone, which is a really interesting and exciting opportunity. Finally, I’ve been lucky enough to have an article on Scottish Publishing and Independence published in the journal Logos. It’s been a really good year, here’s to the next one!

Find me on Twitter and LinkedIn.

Kiley Pole, MLitt Publishing Studies 2014-2015

October 7th, 2014 by Kiley Pole | Posted in Student Profiles | Comments Off on Kiley Pole, MLitt Publishing Studies 2014-2015
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10690336_10154601180970510_4246123074955421661_nWriting about oneself is always difficult, especially when coupled with the idea of having to post it on the internet. There are too many considerations, especially for someone like myself who does not enjoy the spotlight. I suppose I should just “lay it out there” and go forward from that point.

I was born and raised in Ontario, Canada. To be more specific I’m from London Ontario Canada which just confuses a lot of people because of the really famous London in the UK. Here at least I can clarify. I did my undergraduate studies at Western University in London Ontario. There I studied French Literature and Spanish Linguistics.

How did I get here? I studied in France for a year of my undergraduate degree and while I was there I made the trip to Scotland. In all of my travels, I have never felt so at home as I do in Scotland. When the opportunity to study here, at Stirling University, came about through the MLitt in Publishing Studies I could not say no. It was a long, hard journey (both literally and metaphorically, I have the worst luck with traveling) to get here and thus far it has been worth it.

To say that I love books would be redundant, if I didn’t love them in some or in my case, every capacity I would not be here. What I am hoping is that through this programme of study I will be able to expand that love to all aspects of book publishing.

Bloody Scotland 2014 Programme Launch

June 8th, 2014 by Stevie Marsden | Posted in Blog | Comments Off on Bloody Scotland 2014 Programme Launch
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photo (10)Stevie Marsden reports on the launch of this year’s Bloody Scotland festival:

Wednesday 4th June saw the launch of the third Bloody Scotland festival, Scotland’s first and only literary festival dedicated to celebrating crime fiction from all over the world, which will take place from Friday 19th to Sunday 21st of September this year.  The intimate lunch time unveiling of this year’s programme was held at Tolbooth, Stirling where Dom Hastings, the festival manager, commented on the diversity of the festival’s proceedings with events ranging from live talks from best-selling and world-renowned crime writers Ian Rankin and Kathy Reichs, to a discussion about the representation of women in crime fiction hosted by the Glasgow Women’s Library and a play re-enacting the trial of notorious serial killer Peter Manual to be held in the fitting setting of Stirling Sheriff Court.

As well as putting together a fantastic programme every year, which not only promotes Scotland’s extraordinary love for crime writing but also encourages crime fiction lovers from all over the world to visit Stirling, one of Scotland’s most historic (and haunted!) cities, the Bloody Scotland International Crime Writing festival is unique in that it actively encourages crime fiction fans to become creators of crime fiction.

Since its conception, Bloody Scotland has had a strong commitment to finding and promoting the next generation of crime writers.  Even before the festival programme was launched, the Bloody Scotland Short Story Competition was open for submissions.  This competition – the winner of which receives £1,000 and a
weekend pass to the   festival – is open to all previously unpublished writers from all over the world. short story comp I’m lucky enough to help in the co-ordination of the competition, and it’s really exciting to see undiscovered authors get the opportunity to have their work read by a worldwide audience; last year’s winner was US writer Mindy Quigley who won a landslide public vote for her story ‘The Best Dish’.

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Not content with inviting the world’s crime-lit-enthusiasts to try their hand at writing short fiction, the festival weekend opens with a day of Crime Writing Masterclasses held at the MacRobert Arts Centre at the University of Stirling on Friday 19th September.  The day is full of enlightening and insightful workshops, allowing budding crime writers to spend time refining their writing skills under the guidance of best-selling authors and experts in the publishing field.  This year’s line-up of writers and publishers includes Christopher Broomkyre, Helen Sedgwick, Craig Robertson and Sara Hunt to name but a few!

As if all this wasn’t enough, Bloody Scotland also holds its annual ‘Pitch Perfect’ event on Sunday 21st September.  Sponsored by the Open University Scotland, this competition allows aspiring novelists to pitch their idea to a panel of publishers for the chance to gain invaluable feedback from experts in the field.  This year’s panel includes Alison Hennessey, Senior Crime Editor at Harvill Secker, Krystyna Green, Editorial Director for Constable & Robinson crime fiction and Tricia Jackson, Editorial Director at Pan MacMillan.  Last year’s ‘Pitch Perfect’ event was brilliant, and it was fascinating to hear some of the ideas for (as yet!) unpublished work and the feedback that the specialists in the field had to offer.

What all of these events show is that the Bloody Scotland festival is not just an amazing opportunity for readers and writers to come together in a celebration of all things crime-lit related, but it is also a brilliant occasion dedicated to inspiring the next cohort of  crime writers.  Bloody Scotland, along with the University of Stirling’s Creative Writing team, the Stirling Centre for International Publishing and Communication and Open University Scotland, actively encourages attendees to get involved in crime writing, arguably making Bloody Scotland one of the most inspiring literary festivals in the world.

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Xiaolin Ma, MLitt in Publishing Studies 2013-14

November 26th, 2013 by Xiaolin Ma | Posted in Student Profiles | Comments Off on Xiaolin Ma, MLitt in Publishing Studies 2013-14
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Hello, everyone! My name is Lim.I am from China. I am so excited to study Publishing Studies in the University of Stirling. This is my first time to study abroad, and I am very glad to meet you here! My undergraduate major was journalism. But after I read a lot of books and magazines, I found that they were amazing products, so I decided to study how to produce and edit a book or magazine. I am so interested in the content, color, cover and the production  process of books or magazines. I really hope that such a wonderful book or magazine is produced by myself. So I really want to have a chance to know and study Publishing Studies.

Even though e-books are much more popular in recent years, I am still keen on paper books. Paper books are traditional format books, and only when I hold a paper book in my hand can I feel that I am reading a real and wonderful book. Through studying publishing in University of Stirling, I hope that I can do my best to attract more and more people to read paper books. And I also believe that paper books will not disappear.

As far as I know, the Stirling Centre for International Publishing and Communication is a leading institute in the field of Publishing among European universities. It provides a comprehensive and coherent approach to all aspects of publishing. I am convinced that I will obtain more and more information and knowledge in the University of Stirling.